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| Comentarios / Titulos de las canciónes: |
1.1 Coaster - Simon Park1.2 Rippling Reeds - Wozo1.3 Leaving - Sam Spence1.4 Northern Lights 1 - John Cameron1.5 Spaghetti Junction - Peter Reno1.6 Space Walk - Rubba1.7 Prospect - Paul Hart1.8 Tomorrow's Fashions - Geoff Bastow1.9 Blue Movies - Brian Wade1.10 Videodisc - Trevor Bastow1.11 Interface - Astral Sounds1.12 Starways - Brian Chatton1.13 Optics - Unit 91.14 Atomic Station - Wozo1.15 Future Prospect - Adrian Baker1.16 Planned Production - Warren Bennett1.17 Future Perspectives -1.18 Anthony Hobson Aka Tektron1.19 Waterfall - Chameleon1.20 Telecom - James Asher1.21 Eagle - Simon Park Aka Soul City Orchestra1.22 Astral Plain - Alan Hawkshaw1.23 Drifting in Time - Paul Williams1.24 Earth Born - Brian Bennett1.25 Soft Waves - Harry Forbes1.26 Topaz - Astral Sounds1.27 Eternity - Alan Hawkshaw1.28 Infinity - John Cameron1.29 Morning Dew - Andy Grossart ; Paul Williams |
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Inglés (GB) |
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| | Descripción: | 2024 collection. Nothing said new or modern or futuristic quite like a synthesiser in the 70s and 80s. If you were shooting an advert and you wanted your product or your company to appear forward-thinking and ahead of the game, then you would want something electronic, something out of the ordinary. When TV producers and advertising directors started searching for music that sounded like "Tubular Bells" - and then Tomita, and later Jean Michel Jarre - music libraries such de Wolfe, Bruton, Parry and Chappell had to have the tracks readily available. Compiled by Bob Stanley, "Tomorrow's Fashions" varies from advertising jingles and TV themes to space exploration and gorgeous, beatless ambience. Though it's 40-to-50 years old there's a real freshness to this music. Older jazz players Brian Bennett, John Cameron, Alan Hawkshaw and others seized the chance to operate a synth; younger pups including John Saunders and Monica Beale were simply intrigued by the new technology being wheeled into the studios. There's a tangible sense of adventure. "Tomorrow's Fashions'" brand of electronica anticipated new age and ambient music. It also had both a direct and indirect influence on pop - the early Human League and the future sounds of Warp Records are all over this collection. Electronic library tracks have been sampled by everyone from MF Doom to Kendrick Lamar. One person's primitive and experimental is another person's space-age lullaby. This was music made in the shadows - in Soho's secretive music library studios - that has now become desirable and influential. The chances are chunks of it will be sampled and used on hit records that have yet to be written. If the musicians' aim was to soundtrack tomorrow's fashions, they couldn't have got it more right., Runningtime: 00:00:00, Compiled By [Compilation By]: Bob Stanley, Design [Package Designed By]: Neil Dell, Liner Notes [Notes By]: Bob Stanley, Mastered By: Duncan Cowell, Project Manager [Project Co-ordinated By]: Liz Buckley, Labelcode ACI6711012.2 (CDCHD 1640), Licensed To Ace Records Ltd., Phonographic Copyright (p) Ace Records Ltd., Copyright (c) Ace Records Ltd., Mastered At Sound Mastering, Designed At 9thPlanet Design"Tomorrow's Fashions - Library Electronica 1972-1987" en CD es una recopilación cuidadosamente seleccionada que explora el universo futurista de la música de biblioteca electrónica grabada entre los años setenta y mediados de los ochenta. Reúne pistas raras, originalmente creadas como música de uso -para cine, televisión, documentales o producciones institucionales-, en las que los compositores experimentan con sintetizadores analógicos, secuenciadores repetitivos y técnicas de estudio que entonces sonaban radicalmente nuevas. El resultado es un recorrido estilístico muy amplio: paisajes sonoros espaciales cercanos al ambient, temas tensos y rítmicos que anticipan la electrónica de club, piezas minimalistas de pulsación mecánica e instantáneas experimentales que se sitúan entre el kraut electrónico, el minimal synth y la banda sonora de ciencia ficción. Al tratarse de un soporte con distintos artistas, el enfoque recae sobre la selección y la coherencia estética: cada corte contribuye a la sensación de estar escuchando cómo se imaginaba el "mañana" desde los estudios de grabación de la época, con sonidos metálicos, texturas cósmicas y motivos que giran en torno a la tecnología, la industria y la vida moderna.
Ace Records, el sello responsable de esta edición, es conocido por su labor de archivo y por sus ediciones cuidadas. A lo largo de los años se ha especializado en rescatar grabaciones olvidadas o difíciles de encontrar, restaurarlas con un buen trabajo de masterización y presentarlas en compilaciones con criterio histórico y musical. Entre coleccionistas y aficionados exigentes, el nombre de Ace se asocia con calidad de sonido, respeto por las fuentes originales y una selección de repertorio pensada con detalle. Con "Tomorrow's Fashions - Library Electronica 1972-1987", Ace Records vuelve a ejercer como curador musical: agrupa composiciones dispersas, les da un contexto y las reivindica como parte fundamental de la evolución de la música electrónica y del diseño sonoro para imagen. Este CD es especialmente recomendable para amantes de los sintetizadores clásicos, coleccionistas de bandas sonoras y oyentes que quieran descubrir cómo las visiones sonoras del futuro de aquellos años influyeron en gran parte de la electrónica contemporánea. | | | N° de títulos: |
29 |
| | N° de fabricante: |
CHD 1640 |
| Seguridad del producto
Persona responsable para la UE:
Believe Digital GmbH
Van-der-Smissen-Str. 3, 22767 Hamburg, DE
legal.de@believe.com | |
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Pop instrumental
2.958
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