| Details / Tracklist: |
01. "Preamel"
02. "Der Fuggerin Danz"
03. "Phantasia 1 (TABVLATVRA ... 1575)"
04. "Phantasia 1 (Tabulatura ... 1592)"
05. "Phantasia 3 (Tabulatura ... 1592)"
06. "Tanz & Sprung"
07. "Susanne ung iour (Orlando di Lasso)"
08. "Das erst Priamell"
09. "Das ander Priamell"
10. "Das dritt Priamel"
11. "Das fierd Priamel"
12. "Das f?nfft Priamel"
13. "Kalata ala Spagnola"
14. "Elsein liebes Elsein mein (Ludwig Senfl)"
15. "Zucht er und lob (Paul Hofhaimer)"
16. "Ain trium"
17. "Tropolus Secret (Pierre La Rue)"
18. "Pavana alla Veneziana"
19. "Adieu mes amours (Josquin Desprez)"
20. "Fantasia super anchor que col partire"
21. "Preambulum 2"
22. "Mir ist ein fein brauns m?getlin & hupffauff"
23. "Wascha Mesa"
24. "Ein guter gassenhauer auff die Welischart"
25. "Preambulum 1"
26. "Ohn dich muss ich mich aller freuden massen*"
27. "Innsbruck, ich muss dich lassen (Heinrich Isaac)"
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| Description: | Hans Judenkonig: Die Kunst Der Lautenschlager by Max Hattwich, released 5 January 2024.
This version of Hans Judenkonig: Die Kunst Der Lautenschlager comes as a 1xCD. - The German lutists known as "Lautenschläger" or "Lautenzwicker" were renowned throughout Europe for their complex compositions and high level of playing technique. One of them is Hans Judenkönig - he is one of the pioneers of German Renaissance music, in which the lute played an important role. The repertoire of the German "Lautenschläger" is rarely played because it is written in German lute tablature, a notation in fingerings instead of notes. This notation was particularly suitable for learning to play the lute through self-study and for playing polyphonic compositions in the private sphere. In 1523, Hans Judenkönig published Ain schone künstliche Underweisung, an early school in German lute tablature with many sample pieces, which forms the core of this CD program. In addition, Max Hattwich has selected works by the following generation of German lutenists who were influenced by Judenkönig: first and foremost Hans and Melchior Neusidler, but also pieces by Matthäus Waissel, Leonhard Lechner and Sebastian Ochsenkuhn. With his selection, Max Hattwich creates a wonderful sound painting of the art of the lute in the 16th century and takes the listener into the private chambers of the bourgeois and aristocratic houses of the German Renaissance. |
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| Manufacturer No.: |
CHR77477 |
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Product Safety
Responsible Person for the EU:
Christophorus
Note 1 Music GmbH
Bergheimer Str. 126, 69115 Heidelberg, DE
info@note1-music.com |
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Solo Instrument
6.768
- Accordion 25- Bassoon 5- Bugle 3- Cello 138- Clarinet 22- Clavichord 46- Double Bass 5- Early Instrum. 16- Flute 57- Guitar 344- Harp 53- Harpsichord 247- Lute 109- Mandolin 11- Oboe 8- Organ 577- Other Solo Instrum. 2.038- Percussion 19- Piano 2.726- Recorder 12- Saxophone 15- Trombone 5- Trumpet 11- Viola 31- Violin 236Symphonic Music 14.540
