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| 详情/曲目清单： |
Sinfonie Nr. 3 Es-Dur op. 55 "Eroica" (bearb. f?r Klavier zu 4 H?nden von Franz Xaver Scharwenka) 01. "1. Allegro con brio" 02. "2. Trauermarsch: Adagio assai" 03. "3. Scherzo: Allegro vivace - Trio" 04. "4. Finale: Allegro molto - Poco andante - Presto"
Studien f?r Pedalfl?gel in Kanonform op. 56 Nr. 1-6 (bearb. f?r 2 Klaviere von Claude Debussy) 05. "Nr. 1 Studie C-Dur (Nicht zu schnell)" 06. "Nr. 2 Studie a-moll (Mit innigem Ausdruck)" 07. "Nr. 3 Studie E-Dur (Andantino - Etwas bewegter)" 08. "Nr. 4 Studie As-Dur (Innig)" 09. "Nr. 5 Studie h-moll (Nicht zu schnell)" 10. "Nr. 6 Studie H-Dur (Adagio)"
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| | 描述： | SOMM Recordings announces the launch of a major six-volume series of Franz Xaver Scharwenka's transcriptions of Beethoven Symphonies featuring the label debut of the Tessa Uys and Ben Schoeman Piano Duo. Formed in 2010, the Duo began their in-concert exploration of Scharwenka's four-hand Beethoven transcriptions in 2015 and now bring that experience to disc for the first time. Volume 1 includes the premiere recording of Scharwenka's piano duet transcription of Symphony No.3, the ever-popular Eroica, and Debussy's two-piano arrangement of Robert Schumann's Six Studies in Canonic Form. As Robert Matthew-Walker's booklet notes reveal, Scharwenka had a direct line to Beethoven, having been taught by Franz Kullak, who was tutored by Carl Czerny whose own teacher, in turn, had been Beethoven himself. A composer of no mean stature in his own right, Scharwenka's transcriptions were once widely admired, making masterpiece symphonies available to every home with a piano. Possessing, says Matthew-Walker, "significant qualities which are often overlooked today", his Eroica transcription receives ardent, eloquently persuasive championing by Schoeman and Uys. Scharwenka wasn't alone in exploiting new developments in piano technology. Robert Schumann's Six Studies in Canonic Form made use of the then novel 'pedal-piano' (a standard piano with an additional bass pedal-board) even as he was looking back stylistically towards his idol, Bach. Debussy's arrangement for two pianos adroitly accommodates Schumann's original to "rescue this fine music from the obscurity of the pedal-piano repertoire." Born in Cape Town and a Royal Academy of Music Associate, Tessa Uys has an impressive reputation as a concert and broadcasting performer, appearing at major venues throughout the world. Her multi-prize-winning South African compatriot Ben Schoeman also has a busy international profile and is currently a senior lecturer in piano and musicology at the University of Pretoria., Runningtime: 00:00:00, Booklet Editor: Michael Quinn (8), Cover: Max Wulff (2), Design: Andrew Giles, Engineer: Paul Arden-Taylor, Liner Notes: Robert Matthew-Walker, Piano [Part Of One-Piano Duo]: Ben Schoeman, Piano [Part Of One-Piano Duo]: Tessa Uys, Piano [Part Of Two-Piano Duo]: Ben Schoeman, Piano [Part Of Two-Piano Duo]: Tessa Uys, Producer: Siva Oke, Arranged By: Xaver Scharwenka, Composed By: Ludwig van Beethoven, Arranged By: Claude Debussy, Composed By: Robert Schumann, Labelcode SOMM637.2 (SOMMCD 0637), Phonographic Copyright (p) Somm Recordings, Copyright (c) Somm Recordings, Recorded At The Menuhin Hall | | | No. of tracks: |
10 |
| | Manufacturer No.: |
SOMMCD0637 |
| 产品安全
欧盟负责人:
SOMM Recordings
13 Riversdale Road, KT7 0QL Thames Ditton, Surrey, UK
sales@somm-recordings.com | |
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室内乐团
16.114
- 中提琴 71- 伸缩喇叭 20- 低音大提琴 20- 八位字节 3- 其他 12.232- 其他合奏 223- 单簧 129- 双簧管 56- 号筒 41- 吉它 106- 哈普西科德 24- 喇叭乐器 53- 大号乐器 3- 大提琴 323- 弦乐三重奏 58- 弦乐五重奏 21- 弦乐合奏 93- 弦乐四重奏 443- 手风琴 10- 打击乐 13- 早期乐器 138- 曼陀铃 16- 木管乐 40- 混合合奏 77- 琵琶器 18- 竖琴 33- 笛子 234- 管乐合奏 51- 管风琴 38- 萨克斯风 53- 记录员 58- 贝司 18- 钢琴三重奏 166- 钢琴乐器 494- 钢琴四重奏 28- 铜管 50- 长笛 605
