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Sonate f?r Blockfl?te und Basso continuo C-Dur 01. "1. Allegro" 02. "2. Largo" 03. "3. Gigue" Sonate f?r Oboe und Basso continuo Nr. 6 a-moll 04. "1. Adagio" 05. "2. Allegro" 06. "3. Sizilianisch" 07. "4. Allegro" Sonate f?r Blockfl?te und Basso continuo c-moll 08. "1. Adagio" 09. "2. Presto" 10. "3. Adagio" 11. "4. Allegro" Sonate f?r Oboe und Basso continuo Nr. 5 g-moll 12. "1. Largo e cantabile" 13. "2. Allegro" 14. "3. Largo" 15. "4. Gigue: Allegro" Sonate f?r Oboe und Basso continuo Nr. 2 C-Dur 16. "1. Adagio" 17. "2. Allegro" 18. "3. Adagio" 19. "4. Gigue" Sonate f?r Fl?te, Fagott und Basso continuo a-moll RV 86 20. "1. Largo" 21. "2. Allegro" 22. "3. Largo cantabile" 23. "4. Allegro molto"
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 | | Description: | Sonatas For Solo Instruments (dreyer, Ditry, Vivaldi) is an album by Duarte & Zylberajch & Luis, released in 2022. The album is a Super Audio Cd classical CD. - .. INSTRUMENTS (DREYER, DITRY, VIVALDI)Domenico Maria Dreyer was born in Florence. These compositions follow the Italian model in being cast in four movements, and are clearly written in a Venetian manner of expression that unites contrasts of mood, lyricism, virtuosity, folk dances, large progressions, and clear bass rhythms, as well as descriptive and spatial elements; there are, however, exceptions in the form of more archaic elements such as the do-minant cadenzas in the slower movements, which are nearer Roman music. Moreover, it is astonishing how the recorder, an instrument known throughout Europe, is totally uninhibited in appropriating all sorts of transcriptions just at the moment when it swiftly undergoes a keen renewal of interest among the protagonists of the stylistic experiments of the early 18th century: These words find a good example in the sonata by Louis Détry, a musician of unknown (French?) origin. His sonata recorded on this release could be a transcription of a sonata for bassoon that the musician composed for his own purposes. It is a real "pasticcio sonata", which in it's own way combines the mixed style with fast movements "alla Vivaldi", while making use of a German theme, and with slow movements whose role model is an absolutely French grace. Antonio Vivaldi had a very special relationship with recorder and bassoon alike: The sonata on this edition is a sustained firework of concertante virtuosity. The instruments mimic each other, accompany and ignore each other, and share passages in which they connect for eternity, as in a recurring section at the end of the second movement, when the inevitable question becomes who will run out of breath first. The work covers broad territory, from theatre to introspective lyricism, without neglecting gallant showcases of technical wizardry or contrapuntal seriousness.This SACD+CD release "Sonaten für Soloinstrumente und B.c." brings together a carefully curated selection of sonatas for solo instruments and basso continuo, interpreted by Duarte, Rapoport, Luis and Zylberaijch and produced by the specialist label Cybele. The combination of high-resolution SACD layer and standard CD ensures that both audiophiles and conventional CD listeners can fully enjoy the subtle nuances of these historically rooted works. The program focuses on the intimate dialogue between a single melodic voice and the supporting continuo group, highlighting the refined counterpoint, rhetorical phrasing and rich harmonic language that define this repertoire. Cybele is known for its audiophile recording philosophy, placing great emphasis on natural acoustic, spatial depth and the faithful reproduction of instrumental timbre, which lends these performances an immediacy and presence rarely found in mainstream productions.
The collection showcases a stylistically coherent yet varied panorama of the sonata genre for solo instrument and basso continuo, likely spanning different composers and tonal centers within the Baroque tradition. The contrast between expressive slow movements and virtuosic fast sections allows the solo instruments to display both their lyrical and brilliant sides, while the continuo lays down an elastic, breathing foundation. Thanks to the hybrid format, listeners can choose between an immersive surround experience (where available on the SACD layer) and a high-quality stereo image on the CD layer, making this edition particularly attractive for both dedicated listening sessions and more casual enjoyment. Cybele's reputation for carefully chosen programs and detailed booklet texts suggests that the release will also offer well-grounded musicological context and background information on the sonatas and their historical environment.
Because this is a mixed-artist audio collection rather than a single-artist album, the focus here lies on the stylistic range and programming concept rather than on individual performer biographies. The selection underlines the diversity of approaches to writing for solo instrument and basso continuo, from intimate, almost vocal lines to more extroverted, virtuosic gestures. Cybele's long-standing commitment to sophisticated repertoire and meticulous production values makes this SACD+CD set a compelling choice for listeners interested in historically informed performance practice, chamber music of the Baroque era and high-end sound. "Sonaten für Soloinstrumente und B.c." thus functions both as an artistic statement on the continuing vitality of this repertoire and as a showcase for Cybele's strengths as a boutique label for demanding ears. |  | | Manufacturer No.: |
CYB231904 |
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