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| Comentarios / Titulos de las canciónes: |
Prelude, Habanera and Pereptual Motion (Konzert f?r Blockfl?te und Orchester) (2016) 01. "1. Prelude" 02. "2. Habanera" 03. "3. Perpetual Motion"
Etudes (Konzert f?r Blockfl?te und Orchester) (2000) 04. "1. Scales" 05. "2. Glides" 06. "3. Arpeggios"
Konzert f?r Blockfl?te, Cembalo und Streicher (2016) 07. "1. Toccata" 08. "2. Devil's dance" 09. "3. Lament" 10. "4. Furie"
A Pacyfying Weapon (Konzert f?r Blockfl?te, Blasinstrumente, Percussion und Harfe) (2015) 11. "1. A Pacyfying Weapon 1" 12. "2. A Pacyfying Weapon 2" 13. "3. A Pacyfying Weapon 3"
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 | | Descripción: | The late 17th and early 18th centuries were the Golden Age of the Recorder. Played by amateurs and professionals and admire by musical connoisseurs, the recorder was everywhere. From Italy to England, the greatest composers of the day were writing hundreds of masterworks to meet the public's demand! Meanwhile, on the other side of the Atlantic, a scrappy group of colonists were carving a new nation out of the wilderness... But where were the recorders? It is one of the great ironies of the recorder's long history, that despite being ubiquitous in nearly every American public music school program, few American composers ever explored writing for it. In order to set this egregious state of affairs to right, Michala Petri, the first Lady of the Recorder, invited four American composers to make their own discovery of just what an Old World Recorder can do! For the newest installment of her ground-breaking Concerto Project, four works have been specially commissioned to showcase the sound of the modern recorder, including the late Steven Stucky's thoroughly contemporary Etudes, Roberto Sierra's Latin-tinged Prelude, Habanera and Perpetual Motion, Harpsichord virtuoso Antony Newman's Neo-Baroque Concerto for recorder, harpsichord & strings, and Sean Hickey's boldly-wrought A Pacifying Weapon., Runningtime: 00:00:00, Artwork, Design [Cover]: CEZBP, Artwork, Design [Cover]: OUR Recordings, Conductor [Danish National Symphony Orchestra]: Lan Shui, Conductor [Royal Danish Academy Of Music Concert Band]: Jean Thorel, Conductor [Tivoli Copenhagen Phil]: Alexander Shelley, Edited By: Mette Due, Ensemble: Nordic String Quartet, Executive-Producer: Lars Hannibal, Harpsichord: Anthony Newman, Liner Notes: Joshua Cheek, Orchestra: DR RadioSymfoniOrkestret, Orchestra: Det Kongelige Danske Musikkonservatoriums Orkester, Orchestra: Tivoli Concert Symphony Orchestra, Producer: Mikkel Nymand, Producer, Mixed By, Mastered By, Edited By: Preben Iwan, Recorder: Michala Petri, Composed By: Roberto Sierra, Composed By: Steven Stucky, Composed By: Anthony Newman, Composed By: Sean Hickey, Labelcode OURR8226912SACD (8.226912), Distributed By NGL Naxos Global Logistics GmbH, Phonographic Copyright (p) OUR Recordings, Copyright (c) OUR Recordings, Recorded At Tivoli Koncertsalen, Copenhagen, Recorded At Radiohusets Koncertsal, Recorded At Mariendal Kirke, Recorded At Konservatoriets Koncertsal, Copenhagen | | | N° de fabricante: |
8226912 |
| Seguridad del producto
Persona responsable para la UE:
OUR Recordings
Esromgade 15, 2200 Copenhagen N, DK
hannibal@michalapetri.com | |
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Concierto
3.388
- Acordeón 6- Arpa 17- Clarinete 62- Clavicémbalo 26- Contrabajo 8- Cuerno/trompa 35- Fagót 18- Flauta 84- Flauta de pico 18- Guitarra 28- Instrum. antiguos 11- Intrumentos a solas 33- Laúd 4- Mandolina 4- Oboe 45- Otros conciertos 9- Otros conciertos 1.298- Percusión 7- Piano 730- Saxo 19- Trombón 15- Trompeta 85- Tuba 9- Viola 23- Violonchelo 201- Violín 559- Òrgano 34Música sinfónica 14.540
