| Bemerkungen / Titelliste: |
Nachklang (Konzert f?r Blockfl?te und Barockorchester) (2015-16) 01. "1. Maestoso - Allegro - Maestoso" 02. "2. Lento" 03. "3. Presto" 04. "Improvisation I "2/17" (?ber ein Passacaglia-Thema von Theo Loevendie)" 05. "Reflex (f?r Blockfl?te solo) (2017)" 06. "Improvisation II "3/17" (?ber ein Passacaglia-Thema von Theo Loevendie)" 07. "Dance for Three (f?r Violine, Klarinette in A und Blockfl?te) (2018)" 08. "Improvisation III "Passa" (?ber das Passacaglia-Thema aus J.S. Bachs BWV 582)"
The Rise of Spinoza (Oper) (2014) (Auszug) 09. "Prins Robberts Masco (Fassung ohne Orchester)" 10. "Improvisation IV (?ber ein Motiv von Oene van Geel)"
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| Extra-Infos: |
Holland Baroque/ Erik Bosgraaf/ Theo Loevendie |
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| Beschreibung: | This album celebrates the friendship between Theo Loevendie (b1930) and Erik Bosgraaf (b1980). Having written a part for the recorder virtuoso in his opera about the life and times of the philosopher Spinoza, Loevendie has proceeded to compose several other works which marry the Baroque idiom of the recorder's natural home with his own, jazz-inflected idiom. Most notable among them is the recorder concerto Nachklang, dedicated to Bosgraaf like several other works on the album. Bach's Brandenburg Concerto no. 3 is the origin of a sparkling composition for recorder, three violins, three violas, three cellos, double bass and harpsichord. Both musicians celebrate music as a vital, living language, both of them have an affinity with improvisation; Loevendie's musical roots lie in the jazz tradition, and the freewheeling nature of their partnership can be sampled live in an Amsterdam cafe where they regularly play jam sessions together with the violinist Oene van Geel. For this recording Loevendie, Bosgraaf and Van Geel headed for the studio, which resulted in four improvisations, each based on a passacaglia theme. Having been the intended soloist for Nachklang, Bosgraaf commissioned the solo Reflex from Loevendie, and this too works outwards from lively Baroque-era rhythmic impulses. Dance for Three is a composition which, in it's original form for violin, dates from 1986. It is one of Loevendie's most frequently heard pieces. The player wears an ankle bracelet of bells and stamps a percussion accompaniment to her violin. Parts have since been added for clarinet and then, at Bosgraaf's behest, for recorder., Runningtime: 00:00:00, Labelcode BRLT95906.2 |
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| Herstellernummer: |
1095906BRC |
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Details zur Produktsicherheit
Verantwortliche Person für die EU:
Brilliant Classics B.V.
Glienholzweg 7, 17207 R?bel, DE
info@brilliantclassics.com |
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Konzert
3.388
- Akkordeon 6- Alte Instrumente 11- Blockflöte 18- Cello 201- Cembalo 26- Fagott 18- Flöte 84- Gitarre 28- Harfe 17- Horn 35- Klarinette 62- Klavier 730- Kontrabass 8- Laute 4- Mandoline 4- Oboe 45- Orgel 34- Posaune 15- Saxophon 19- Schlaginstrument 7- Soloinstrumente 33- Sonst.Konzert 9- Sonst.Konzert 1.298- Trompete 85- Tuba 9- Viola 23- Violine 559Sinfonische Musik 14.540Sonstige Klassik 3.468
