Entirely written, played and produced by Metronomy himself, Summer 08 finds the multi-instrumentalist reflecting on his experiences around the time that Metronomy first landed a major breakthrough with Nights Out (BEC 5772370/5772393, 2008) - the guilt of missing key moments in loved ones' lives and the confused mania of finding himself a critical darling. It's a concept that's been gestating ever since, but the opportunities and challenges that resulted in the expansive, ambitious and Mercury Prize-nominated The English Riviera (BEC 5772894, 2011) and the Motown-inspired Love Letters (BEC 5161817/5161823, 2014) understandably took precedence. "I wanted to make another record with the naivety of Nights Out: ten tracks, straight up, upbeat. Write another banger, then another, and don't really think about it." Summer 08 is a mature, eclectic pop record in the vein of OutKast, David Bowie and Daft Punk. Recorded in Black Box Studios in France with mixing courtesy of Bob Clearmountain (Bruce Springsteen, David Bowie) and Neal Pogue (OutKast), it's the most daring and creative Metronomy album. The album's first single "Old Skool" is a cowbell-clattered cocaine pop belter that glimpses '00s London from the backseat of an Addison Lee. It descends into a chaotic scratch frenzy courtesy of Beastie Boys' turntablist and Mount's childhood hero Mix Master Mike. As for the lyrics: "I was living in East London in 2008 and felt like all this stuff was happening in the West end. It's nonsense really, but I felt it was this privileged end of town, all the musicians there had wealthy parents and were living in Ladbroke Grove and Notting Hill. So that song's about being totally idiotic and just jealous." "Night Owl" is even more immediate as it's disco-groove - at once laidback, then nervously on edge - captures the ambience of a downbeat soul lost in the nocturnal summer swelter of the capital. Elsewhere, there's warbling festival anthem-in-the-making "Miami Logic", which sounds like "Word Up" as performed by Devo; an early East-Coast hip-hop rough ride called "16 Beat" about a love affair between man and drum machine; and a brilliant moment of Bowie worship titled "Mick Slow". It's the album's duet with Swedish superstar Robyn, "Hang Me Out To Dry", mixed by Erol Alkan, that's the songwriter's favorite though., Runningtime: 00:00:00, : , Drums: Victor Le Masne, Mixed By: Craig Silvey, Vocals: Stealing Sheep, Featuring, Turntables: Mix Master Mike, Mixed By: Bob Clearmountain, Featuring, Vocals: Robyn, Mixed By: Erol Alkan, Mixed By: Bob Clearmountain, Written By: Mick Karn, Mixed By: Bob Clearmountain, Electric Bass: Gabriel Stebbing, Mixed By: Geoff Swan, Written By: Melody Prochet, Mixed By: Ash Workman, Organ, Vocals: Oscar Cash, Labelcode BEMU5156493.2 (BEC5156493), Exclusive Retailer Rough Trade (3)
Pop International
353.344
- Années 60 311- Asia Pop 9.595- Austro Pop 227- Brit Pop 280- Dutch Pop 9- Euro Pop 50- Indie Pop/Lo Fi 23- Latin Pop 7.125- MiddleoftheRoad 3.077- Party 44- Pop divers 331.237- Pop français 680- Pop italien 334- Synthi Pop 292- Vieux succès 60
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