|
Compare with similar items |
Other interesting products in Other Pop |
| Details / Tracklist: |
Versatzstücke (für Klavier Solo und 6-Kanal Zuspielung) 01. Kobler, Benjamin "Vorspiel" 02. Kobler, Benjamin "1. Satz" 03. Kobler, Benjamin "2. Satz" 04. Kobler, Benjamin "3. Satz" 05. Kobler, Benjamin "4. Satz" 06. Kobler, Benjamin "5. Satz"
Kommen und Gehen (für Violine Solo und 8-Kanal Zuspielung) 07. Contzen, Mirijam "Vorspiel - 1. Teil - 2. Teil - 3. Teil - 4. Teil - 5. Teil"
Rekurs (für Altsaxofon, Schlagzeug, Klavier und Aufnahmegeräte) 08. Armbruster, Sascha "Nr 1: 1. Durchlauf, Takt 1 - Nr. 2: 1. Durchlauf, Takt 15/2 - Nr. 3: 1. Durchlauf, Takt 40 ..."
Fallstudien (für Kammerensemble) 09. Ensemble Mosaik "1. Takt 1 - Takt 26 - Takt 59/2 - Takt 131 - Takt 232 - Takt 297/2"
|
 | | Extra-Infos: |
Ensemble Mosaik |
| | Description: | Orm Finnendahl is no musical humorist. But his works are often based on punchline-like expressions which take the listener by surprise whenever he believed himself safe. "Fallstudien" is not the first piece in which Finnendahl works consistently with procedures derived from mathematics and the natural sciences. Especially important to him are recursions, patterns of growth and diversification generated by the repeated application of one and the same rule to pre-existing material and to the results thereby obtained. One of the most celebrated examples of recursive patterns are fractals, which can be used, say, to describe the abstract formation of a snowflake using a single rule. In "Rekurs," sections of the work are recorded on tape and fed into the next section via loudspeakers. The tape recorder embodies the contradiction between technological progress and the fixed immutability of the recording - a contradiction that Finnendahl expounds and subsumes in his art, most notably in "Rekurs." Rules and pre-existing material must first be transformed before they can produce connections - poetic or dramatic, for example - that catch the composer's interest. To quote Finnendahl himself, "Interpretation is made visible as contingent action on the part of the composer.""Versatzstücke/Kommen und Gehen/Rekurs/Fallstudien" is a CD release featuring works by composers Kobler, Contzen, Armbruster, Pons, and Poppe, performed by the renowned Ensemble Mosa. This album presents an exciting journey through contemporary classical music with each composition offering a unique perspective on modern soundscapes and musical structures. The pieces explore themes of transition, repetition, and transformation'inviting listeners to experience innovative approaches to form and texture. Wergo, the label behind this release, is celebrated for its dedication to avant-garde and contemporary music since 1962. Their catalog includes groundbreaking recordings from leading composers worldwide.
Ensemble Mosa has established itself as one of Europe's most adventurous chamber groups specializing in new music. Known for their technical excellence and interpretative depth, they have premiered numerous works at major festivals such as Donaueschinger Musiktage and Wittener Tage für neue Kammermusik. Collaborating closely with living composers like those featured here has earned them critical acclaim across international stages. | | | No. of tracks: |
13 |
| | Manufacturer No.: |
WER65622 |
| Product Safety
Responsible Person for the EU:
Schott Music GmbH & Co. KG
Weihergarten 5, 55116 Mainz, DE
service@wergo.de | |
|
Customers who bought this product also purchased
There are currently no product reviews.
|  |
|
|
|
|
Pop International
353.362
- Asia Pop 9.594- Austro Pop 227- Brit Pop 280- Dutch Pop 9- Euro Pop 50- French Pop 680- Indie Pop/Lo Fi 22- Italo Pop 334- Latin Pop 7.125- MiddleoftheRoad 3.078- Oldies 61- Other Pop 331.257- Party 44- Synthi Pop 292- The 60s 309
