BREMER FREIHEIT (1988)

HAMARY / ENS AVANCE / +
BREMER FREIHEIT (1988)

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Wergo
Release date: 27/Jan/2009
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Sales Rank: #56 in Vocal w.Ensemble
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Style: Vocal w.Ensemble
Product No.: 1898309888

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BREMER FREIHEIT (1988)
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Item number18983098881898798517210176160321013734872100686678
On offer since13.09.201301.02.201409.11.202528.03.202507.09.2022
Price17,99 EUR12,19 EUR21,99 EUR57,29 EUR11,09 EUR
Weight0.12kg0.14kg0.30kg0.76kg0.12kg
ManufacturerWergoParlophoneEratoECM RecordsErato
CategoryCDCDCDLPCD

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Details / Tracklist: Bremer Freiheit (Singwerk auf ein Frauenleben) (Oper) (1987)
MP3 Audio listen now for free 01. "Phase 1"
MP3 Audio listen now for free 02. "Phase 2"
MP3 Audio listen now for free 03. "Phase 3"
MP3 Audio listen now for free 04. "Phase 4"
MP3 Audio listen now for free 05. "Pause 1"
MP3 Audio listen now for free 06. "Phase 5"
MP3 Audio listen now for free 07. "Phase 6"
MP3 Audio listen now for free 08. "Phase 7"
MP3 Audio listen now for free 09. "Phase 8"
MP3 Audio listen now for free 10. "Pause 2"
MP3 Audio listen now for free 11. "Phase 9"
Extra-Infos: Ensemble Avance/ Andras Hamary
Description:In Adriana Hölszky's opera "Bremer Freiheit", Geesche leads her fellows with cheerful nonchalance to their doom. The murders follow in regular succession, with no more passion or sentimentality than "Ten Little Indians". What Hölszky wanted to create was anything but a neo-veristic shocker, a psychoanalytic character study or the melodrama of a victimized woman. Instead, she has given us an almost playful alienation, a sort of Grand Guignol operetta. Connoisseurs of Fassbinder's plays know that they are generally neither realistic nor "naturalistic" but instead find their raison d'être in stylization, albeit not on the sublime classical sense. Only on the surface do they seem to deal with real human beings of flesh and blood. In reality they deal with character masks, like the generalized figures of comedy. In "Bremer Freiheit", then, all the characters apart from Geesche are "marionettes of suppression". It is precisely because of these admittedly horrifying goings-on that Hölszky has succeeded in giving all her characters and stage actions a lite-rally "tactile" plasticity. Yet at the same time she has remained playful, pre-serving Fassbinder's rondo structure, for example, and introducing a number of buffo elements.(from the liner notes by Gerhard R. Koch)
No. of tracks: 11
Manufacturer No.: WER 6511-2
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