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DVDs and Blu-Rays often are country encoded and do not play worldwide. Please check whether your player is compatible with the area code of the item.
DVD code - Area
0/free - Informal term meaning "worldwide"
1 - United States, Canada, Bermuda, U.S. territories
2 - Europe (Central Europe, Northern Europe, Southern Europe, Western Europe), Egypt, Middle East, Japan, South Africa, Swaziland, Lesotho, Greenland, British Overseas Territories, British Crown Dependencies, French Overseas departments and territories
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6 - China
7 - Reserved for future use, MPAA-related DVDs and "media copies" of pre-releases in Asia
8 - International venues such as aircraft, cruise ships, spacecraft, etc.
9 - all eight flags set, allowing the disc to be played in any location, on any player
Blu-Ray Code - Area
free/0 - Informal term meaning "worldwide".
A/1 - United States and their dependencies, East Asia, and Southeast Asia; excludes instances that fall under Region C.
B/2 - Africa, Middle East, Southwest Asia, most of Europe, Australia, New Zealand, and their dependencies; excludes instances that fall under Region C.
C/3 - Central Asia, mainland China, Mongolia, South Asia, Belarus, Russia, Ukraine, Kazakhstan, Moldova, and the aforementioned regions' dependencies.
Description:
Mastered at Whitfield Mastering London
? 2009 Warp Records Limited
? 2009 Warp Records Limited
Made in EU
Issued as a standard Digipak with sticker on rear showing tracklisting.
Durations are not printed on release.
A Terrorbird marketing sticker is affixed to some copies in the U.S. See images.
Chris Clark is concerned with progressing. His latest three-years-in-the-making Warp LP, Totems Flare is crafstmanlike in every detail, and is spurred...
Gareth Owen - 07/Oct/2009
The combined column inches written by the music press about Warp artists, especially bearers of the mythical standard that is “inventive electronica” ...
Mike Smith - 17/Aug/2009
Chris Clark has been taking IDM a bit too literally. Since he began making music at the turn of the century, Clark’s been toying around with a ...
David Abravanel - 06/Aug/2009
Clark has never been a calm artist. Even his calmest record, 2001’s Clarence Park, studded with ambient interludes that skewed toward demented contemp...
Thom Ward - 28/Jul/2009
As to what Chris Clark does do, well, Totems Flare (and, indeed, the bulk of his releases) has that charming quality of sounding much more like self-f...
Ben Hogwood - 27/Jul/2009
Experiencing the music of Chris Clark for the first time is rather like being taken on a tour of a mysterious cave. "Welcome to the extraordinary soun...
Mike Newmark - 23/Jul/2009
I’m doing impressions tonight. Would you like to hear my impression of Chris Clark’s 2008 LP Turning Dragon And a 1, and a 2, and a POW! POW! POW! PO...
Thom Gibbs - 21/Jul/2009
Some musicians are in it for the long haul. Their art pours out of them via cathartic necessity rather than any obligation or ulterior motive to creat...
Lou Thomas - 17/Jul/2009
For his fifth album St Albans' production whizz Chris Clark has served up an abrasive, often disorientating hot plate of moody and sophisticated elect...
Euan Ferguson - 01/Jul/2009
Clark’s third album follows a similar path to recent glitch-hop pioneers Mark Pritchard’s Harmonic 313 and rising Glaswegian star Hudson Mohawke. It’s...
9-13 workdays (resupply of stocks)
